by Ben Sapet
Most social issue films follow a similar, well-trodden formula. When a narrative is centered around an issue there are certain “musts” involved: it must demonstrate the damage of the issue, create empathy for those effected by the issue and ultimately justify the relevance of the issue. In fulfilling these (and many other) check boxes, social issue films become formulaic almost out of a sense of duty to the subject matter.
How, then, does one create a mold-breaking social issue film? Indiana filmmaker Andrew Davis’s feature length debut, Indiana, has plotted what may be that mold-breaking approach to the social issue film. Rather than centering the film on an issue, as is customary for a social issue film, Davis centers his film around the realities of Midwestern culture and its tendency to be exclusionary despite its reputation for wholesomeness and humility.
Film pitch for Davis’s ‘Indiana’
Between a band struggling with the dominant white, Christian demographic of their college, an alcoholic widower estranged from his daughters and a white supremacist mechanic, the characters Davis has outlined seem to be on tenuous ground in a transitioning culture. Perhaps, Davis’s approach of placing Indiana and the Midwest under a microscope will transcend the individual social issues of “family, faith, doubt, health, race, and the pursuit of music” addressed in the film to build something even more compelling: a localized, cultural issue film.
Indiana is currently a participant in the Hometown Heroes Crowdfunding Rally, a competition presented by crowdfunding and streaming platform Seed&Spark and the Duplass brothers who “champion[s]the next generation of filmmakers making movies with their local community and resources.” Ten films that achieve full funding and establish a following will go on to receive further funding and potentially have the Duplass brothers become executive producers on the film.
Indiana’s crowdfunding campaign has received traction so far and is near the Hometown Heroes Rally top ten. Regardless of the contest results, it will be interesting to see this ambitious piece of local filmmaking develop and unfold.
Daley is a Telecommunications (Video Production) major who also minors in Japanese. Through Byte she does graphic design, video editing, podcast hosting, visual effects, and most importantly writing. Daley does this through the scope of examining the impact pop culture has on our everyday lives.